3:05PM

ARTMOSH / Münich 3

Girl in F minor

100x100cm  Spraypaint, acrylic, charcoal and bithume on canvas

 

Girl gymnopedies in red

100x100  Spraypaint, acrylic, charcoal and bithume on canvas

 

girl with a pearl

100x100cm  Spraypaint, acrylic, charcoal and bithume on canvas

5:46PM

ARTMOSH / Münich 2

work of the day , still in progress , will be ready tomorrow.

 

 

10:53PM

ARTMOSH / Münich

 ALL WORK IN  PROGRESS / DAY 1

9:57AM

CIRCLE CULTURE GROUP SHOW " NEW ART "

11:17AM

Le Radeau de la meduse . Day 2

7:50PM

UPCOMMING SHOW at CIRCLE CULTURE GALLERY

10:28PM

LE RADEAU DE LA MEDUSE 

 

Lets start the fun . I chose " Le Radeau De La Meduse" by Géricault as the inspiration for the next Group show at Circle Culture Gallery .

 

The Raft of the Medusa (French: Le Radeau de la Méduse) is an oil painting of 1818–1819 by the French Romantic painter and lithographer Théodore Géricault (1791–1824). Completed when the artist was just 27, the work has become an icon of French Romanticism. At 491 cm × 716 cm , it is an over-life-size painting that depicts a moment from the aftermath of the wreck of the French naval frigate Méduse, which ran aground off the coast of today's Mauritania on July 5, 1816. At least 147 people were set adrift on a hurriedly constructed raft; all but 15 died in the 13 days before their rescue, and those who survived endured starvation, dehydration, cannibalism and madness. The event became an international scandal, in part because its cause was widely attributed to the incompetence of the French captain acting under the authority of the recently restored French monarchy.

In choosing the tragedy as subject matter for his first major work—an uncommissioned depiction of an event from recent history—Géricault consciously selected a well-known incident that would generate great public interest and help launch his career.[2] The event fascinated the young artist, and before he began work on the final painting, he undertook extensive research and produced many preparatory sketches. He interviewed two of the survivors, and constructed a detailed scale model of the raft. His efforts took him to morgues and hospitals where he could view, first-hand, the colour and texture of the flesh of the dying and dead. As the artist had anticipated, the painting proved highly controversial at its first appearance in the 1819 Paris Salon, attracting passionate praise and condemnation in equal measure. However, it established his international reputation, and today is widely seen as seminal in the early history of the Romantic movement in French painting.

Although The Raft of the Medusa retains elements of the traditions of history painting, in both its choice of subject matter and its dramatic presentation, it represents a break from the calm and order of the then-prevailing Neoclassical school. Géricault's work attracted wide attention almost immediately from its first showing, and was subsequently exhibited in London. It was acquired by the Louvre soon after the artist's early death at the age of 32. The painting's influence can be seen in the works of Eugène Delacroix, J. M. W. Turner, Gustave Courbet and Édouard Manet.

 

i will do a version about 170cm x 150cm i just cant wait to know where this gonna bring me.....

 

 

 
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